I also find it impressive that Karen, being a self-taught photographer, also most likely taught herself to transform her unique visions into surreal and elaborately staged scenes.ĭo check out Karen’s website and Behance portfolio to see more of her beautifully surreal fine art photography. It’s something I specifically look for in conceptual work, and what I personally feel makes the work compelling.
#Faceless 2018 series
What I like most about Karen’s approach to conceptual photography is how looking at each series feels like stepping straight into her dreams. Amarendra Bhushan Dhiraj C-Suite Advisory OctoThe United States has recorded the third highest rate of children falling victim to the ‘faceless evil’ of cyberbullying in 2018 so far, that’s according to Comparitech report, which analyzed an Ipsos international survey of adults in 28 countries. A feeling of ‘future-past’,” she says of her work and distinct style. Evan Brewer of The Faceless DNA Lounge (7069644731).jpg. I like to find locations that were abandoned before any sort of technological age, typically locations with relics left in them from 1980 and earlier (the older, the better). The following 12 files are in this category, out of 12 total. “I strive to produce photos that tell a story - that connect with the viewer on a personal level. Buy Alter Ego Games The Faceless (Kickstarter Creepy Edition, 2018)(English/Euro edition, players, 30-45 min., for ) in Strategic Games from the top. It’s interesting how incorporating or removing just one detail changes the feel and narrative of the images altogether.įaceless also follows Karen’s trademark style of elaborate scenes in abandoned buildings, sometimes going as far as cleaning and restoring rooms to what they may have looked like years ago. Take away the masks, giant yarn strands, and knitted sacks and the scene transforms into two totally different tales that have their own moods and character. But, the characters are just one aspect that make the series an interesting body of conceptual work. The ways her subjects are rendered “faceless” are easily the most eye-catching elements that lend a touch of surrealism to each photo. Look long enough and you’ll begin asking why. Faceless, for example, appears to have been inspired by odd characters with their faces obscured in weird ways. It has the kind of creativity that forces you look, then look closer, appealing to your imagination and curiosity for the possible story behind each series. Marcel Sarmiento, director of Deadgirl, V/H/S Viral and Totem, is back with his next horror film, Faceless, which releases on Digital February 16 and on DVD.
If you have a taste for imagery brimming with both strangeness and beauty, Karen’s work will definitely fascinate you.
Among our favorites are the works of Boston-based fine arts photographer Karen Jerzyk, the most recent of which is her Faceless series. Still, that doesn’t stop some of the most creative minds from conjuring the most otherworldly imagery and translating them into narratives. Used with Creative Commons permission.Ĭonceptual photography is certainly one of the most intriguing and challenging photography genres to get into and pull off.
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